by Tomie dePaola & illustrated by Tomie dePaola ‧ RELEASE DATE: Sept. 1, 2000
There’s an inexhaustible sweetness to dePaola’s Strega Nona stories, and this is no exception (Night of Las Posedas, 1999, etc.). With their gentle, light-filled colors and strong, simple shapes, the figures of “Grandma Witch,” her cohorts Bambolona and Big Anthony, and the villagers of their Calabrian town fill the pages. This time, Strega Nona is so distracted by a dream of her own grandmother that she almost gives the wrong lotions and potions to the people who come to her with their aches and pains. She remembers her grandma Concetta’s little house by the seashore, and the dream-pictures show the two of them swimming, gathering shells, flowers, and mussels, and gazing out over the water. Strega Nona goes off on vacation to do all of those things again, leaving Big Anthony and Bambolona with careful admonitions. But when she sends gifts back to both, Bambolona wants Big Anthony’s candy, and switches the labels so he gets the bubble bath. Those who remember Big Anthony’s encounter with the pasta pot will figure out the result, as he floats through town with only his feet, hands, head, and rubber ducky visible in the cloud of bubbles. A little dove warns Strega Nona and she heads back to the rescue, noting that next time she goes on vacation she might as well take the two with her. Don’t miss “La gloria di Strega Nona” on the back cover, where Strega Nona does a Botticelli Venus with Big Anthony and Bambolona tossing flowers. (Picture book. 4-8)
Pub Date: Sept. 1, 2000
ISBN: 0-399-23562-0
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
Share your opinion of this book
More by Cheryl B. Klein
BOOK REVIEW
by Cheryl B. Klein ; illustrated by Tomie dePaola
BOOK REVIEW
by Tomie dePaola ; illustrated by Tomie dePaola
BOOK REVIEW
by Tomie dePaola ; illustrated by Tomie dePaola
by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Share your opinion of this book
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More by Randall de Sève
BOOK REVIEW
by Randall de Sève ; illustrated by Carson Ellis
BOOK REVIEW
by Mac Barnett ; illustrated by Carson Ellis
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.