by Tommy Greenwald ; illustrated by Rebecca Roher ‧ RELEASE DATE: Feb. 16, 2016
Alas, there’s no blockbuster here.
Can Charlie Joe Jackson’s pal Pete Milano survive the transition from school prankster to Hollywood movie star?
On the run after his most recent prank (stealing Eliza Collins’ pompoms), Pete ducks into a coffee shop and meets Iris Galt, an actual movie producer. She thinks he has “relate-ability” and invites him to audition for her latest film. Everyone at school thinks he’s just pulling a prank until he gets the job. Then he has to learn how to juggle being in a movie and going to school. He has to learn his lines and be responsible, and that doesn’t mesh with his pranking persona or keeping in touch with his friends. The most difficult balancing act turns out to be keeping his real girlfriend, Puerto Rican new girl Mareli, while acting opposite gorgeous megastar Shana Fox. Shana makes that impossible when she decides to use Pete to make her boyfriend jealous. Dotted with Pete’s own captioned illustrations (which don’t add as much as they might), Greenwald’s newest Charlie Joe Jackson spinoff is a bit bland. The many inane screenplay excerpts from Sammy and the Princess, Pete’s movie, that punctuate the narrative halt what little action Pete’s tale has. Engaging Everykid Pete is lost in a predictable and strangely unfunny tale.
Alas, there’s no blockbuster here. (Fiction. 8-12)Pub Date: Feb. 16, 2016
ISBN: 978-1-62672-167-8
Page Count: 256
Publisher: Roaring Brook Press
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Tommy Greenwald & Charlie Greenwald ; illustrated by Shiho Pate
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by Tommy Greenwald ; illustrated by Lesley Vamos
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Gordon Korman ‧ RELEASE DATE: Jan. 8, 2019
Funny and endearing, though incomplete characterizations provoke questions.
An isolated class of misfits and a teacher on the edge of retirement are paired together for a year of (supposed) failure.
Zachary Kermit, a 55-year-old teacher, has been haunted for the last 27 years by a student cheating scandal that has earned him the derision of his colleagues and killed his teaching spirit. So when he is assigned to teach the Self-Contained Special Eighth-Grade Class—a dumping ground for “the Unteachables,” students with “behavior issues, learning problems, juvenile delinquents”—he is unfazed, as he is only a year away from early retirement. His relationship with his seven students—diverse in temperament, circumstance, and ability—will be one of “uncomfortable roommates” until June. But when Mr. Kermit unexpectedly stands up for a student, the kids of SCS-8 notice his sense of “justice and fairness.” Mr. Kermit finds he may even care a little about them, and they start to care back in their own way, turning a corner and bringing along a few ghosts from Mr. Kermit’s past. Writing in the alternating voices of Mr. Kermit, most of his students, and two administrators, Korman spins a narrative of redemption and belief in exceeding self-expectations. Naming conventions indicate characters of different ethnic backgrounds, but the book subscribes to a white default. The two students who do not narrate may be students of color, and their characterizations subtly—though arguably inadequately—demonstrate the danger of preconceptions.
Funny and endearing, though incomplete characterizations provoke questions. (Fiction. 8-12)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-256388-0
Page Count: 288
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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