Alas, there’s no blockbuster here.
Can Charlie Joe Jackson’s pal Pete Milano survive the transition from school prankster to Hollywood movie star?
On the run after his most recent prank (stealing Eliza Collins’ pompoms), Pete ducks into a coffee shop and meets Iris Galt, an actual movie producer. She thinks he has “relate-ability” and invites him to audition for her latest film. Everyone at school thinks he’s just pulling a prank until he gets the job. Then he has to learn how to juggle being in a movie and going to school. He has to learn his lines and be responsible, and that doesn’t mesh with his pranking persona or keeping in touch with his friends. The most difficult balancing act turns out to be keeping his real girlfriend, Puerto Rican new girl Mareli, while acting opposite gorgeous megastar Shana Fox. Shana makes that impossible when she decides to use Pete to make her boyfriend jealous. Dotted with Pete’s own captioned illustrations (which don’t add as much as they might), Greenwald’s newest Charlie Joe Jackson spinoff is a bit bland. The many inane screenplay excerpts from Sammy and the Princess, Pete’s movie, that punctuate the narrative halt what little action Pete’s tale has. Engaging Everykid Pete is lost in a predictable and strangely unfunny tale.
Alas, there’s no blockbuster here. (Fiction. 8-12)Pub Date: Feb. 16, 2016
ISBN: 978-1-62672-167-8
Page Count: 256
Publisher: Roaring Brook Press
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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