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THE LONG, LONG LINE

It’s a whale of a fun ride! (Picture book. 4-7)

If the line is long, there’s bound to be something good at the end, right?

The tale starts opposite the title page with a small frog, marked #50, looking up at a sign that requests “Please line up in single file.” Turn the page, and animals #49, lizard, through #37, porcupine, stand politely, clearly wondering what’s at the front of the line. As the numbers decrease, the size of the animals increases: #4 is hippo. Turn the page after #1, elephant, to a gatefold sign: JUMBO COASTER. Open the gatefold, and all of the animals are revealed standing in order on top of a whale as it performs a series of jumps and somersaults in and out of the water! Their ride ends just like a more conventional carnival ride, with various reactions: #3, the rhino, declares, “I’m getting back in line!” Humorous comments add to the fun throughout. The armadillo, #39, stuck behind the skunk, #38, complains, “It stinks!” The kangaroo, #19, has a baby in her pouch that cries, “Are we there yet?” Totally engaging, the book offers multiple forms of participation: the word chain game that #17, the panda, starts; counting; guessing which animal belongs to the tail that appears at the edge of the page on the right (revealed seamlessly with a page turn); size concept; good old anticipation.

It’s a whale of a fun ride! (Picture book. 4-7)

Pub Date: Aug. 15, 2013

ISBN: 978-1-926973-92-0

Page Count: 40

Publisher: Owlkids Books

Review Posted Online: May 14, 2013

Kirkus Reviews Issue: June 1, 2013

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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