A funny, pleasant look at love, forgiveness, and second chances.
Marriage is complicated—and sometimes hilarious—in this novel from Australian writer Jordan (Nine Days, 2013, etc.).
Janice is a microbiologist—it’s her job to help small things grow without mutating. She loves her work because it’s understandable, safe, and predictable. But what she could never have predicted is the wild time she'll have at her sister Caroline’s house when Caroline’s husband, Henry, runs off with their daughters’ elementary school teacher, Martha. When Caroline takes off after Henry to repair their marriage, Janice is left in charge of the girls. That’s when things devolve into an increasingly unwieldy farce. A naked neighbor sneaks through the bedroom window, leading Janice to realize that Caroline is having an affair of her own. Of course, that’s the exact moment Janice’s ex-husband stops by, wondering why Janice is in Caroline’s bedroom with a naked man. And when said naked neighbor’s wife shows up, things get even more confusing. Soon, Janice is juggling a house full of petulant, argumentative adults and two perfectly behaved children. As she tries to help everyone get along, her forced proximity to her ex brings old feelings to the surface. She never fell out of love with him, but after years of trying in vain to have a baby, she felt guilty for being the reason he wouldn’t ever have the children he so wanted. Surrounded by so much relationship dysfunction, she begins to wonder if she made the right decision. Jordan’s dialogue is quick and witty, her writing is sharp, and the plot is fast-paced. However, the story’s heart comes from the way it deals with the serious issues (like infidelity and infertility) that hide underneath the humor.
A funny, pleasant look at love, forgiveness, and second chances.Pub Date: June 13, 2017
ISBN: 978-1-925355-45-1
Page Count: 304
Publisher: Text
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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