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THE BOY WHO MADE DRAGONFLY

A ZUNI MYTH

Laszlo Kubinyi's precise and delicate drawings indicate the tone of this Zuni legend of a boy whose virtues inspire the guardian Corn Maidens to name him the father of his people. In a time of plenty when the others of his tribe are being ostentatiously extravagant, the boy and his baby sister are the only ones to offer food to the Corn Maidens, who visit the village disguised as beggar women. Later the two children are left behind in a time of drought when the tribe abandons the village to beg from neighboring Hopi. The boy makes a dragonfly out of cornstalks to please his hungry, unhappy sister, and in gratitude the dragonfly, who comes to life, intercedes for the children with the Corn Maidens, who feed them through the winter and appoint the boy a priest-leader to the returning Zuni. Thus vested with authority the boy becomes less sympathetic from our point of view: "No longer may the people live according to their own wills, but rather as children, whom a father and his brother must guide, counsel, and command. I am their father for I have tasted of the flesh of the Corn Maidens and thus it will be until the days of our people are spent." Yet the lesson of waste is one that we are just learning, and the spirit of Zuni mythology, documented in the author's appended notes, pervades.

Pub Date: Oct. 25, 1972

ISBN: 0826309100

Page Count: 92

Publisher: Harper & Row

Review Posted Online: April 4, 2012

Kirkus Reviews Issue: Oct. 1, 1972

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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