by Tony Horwitz ‧ RELEASE DATE: May 14, 2019
Not as sprightly as some of the author’s past reports from the fringes but provocative and well worth reading.
The Pulitzer Prize–winning journalist wanders Dixie in search of what makes it so intractably un-American.
Picking up, in a sense, where Confederates in the Attic (1998) left off, Horwitz (Midnight Rising: John Brown and the Raid that Sparked the Civil War, 2011, etc.) follows a fruitful trail in the footsteps of one-time journalist Frederick Law Olmsted, who traveled through the South reporting on the region for the precursor to the New York Times before reinventing himself as “a visionary architect of New York’s Central Park, among many other spaces.” Olmsted found a land bent on racial suppression, even as blacks and whites lived side by side, as well as one on the brink of civil war; Horwitz wonders how much things have changed since then. He discovered plenty of difference. For example, in West Virginia, a state that seceded from secession to rejoin the Union, the author passed time with coal miners who have been perfectly happy to destroy their almost-heaven while complaining that federal environmental scientists “find a puddle in your yard and call it a wetland.” Like Olmsted, Horwitz’s circuitous path took him along the Mississippi River and into Texas, perhaps the most schizophrenic of states today. As the resident of one East Texas town told him, after the author witnessed one scene after another of casual racism punctuated by an oddly easy mixing of black and white residents, the place is “somewhere between Mayberry and Deliverance.” Horwitz seldom reaches deep; his book is casually observed and travelogue-ish (“Eagle Pass was no longer a mud-and-whiskey bedlam at the edge of the American frontier"), more Paul Theroux than de Tocqueville. Still, one can’t help but notice that the things that occupied Olmsted’s attention haven’t changed much in the years since the earlier traveler toured a region that sometimes defies description.
Not as sprightly as some of the author’s past reports from the fringes but provocative and well worth reading.Pub Date: May 14, 2019
ISBN: 978-1-101-98028-6
Page Count: 496
Publisher: Penguin Press
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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