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WINTER IS COMING

This gentle, lyrical celebration of the natural world will reward similarly observant readers.

Armed with a sketchbook and patience, a young girl watches animals from a platform in a tree.

With quiet appreciation, the narrator describes what she sees on visits made from September through late November to her special place on the edge of the woods. She watches a fox take the last apple from a tree. A bear mother “snuffles for food” with her cub. Honking Canada geese fly overhead. There are skunks, acorn woodpeckers, rabbits, chipmunks, a deer with still-spotted fawns and turkeys. One day the lucky girl even observes a lynx. “I stay quiet, quiet / to keep it here— / for a moment.” Even on the gray, cold day on which no animals come, the narrator sits patiently, her back to readers, steadily waiting and watching. LaMarche’s illustrations, done mostly in shades of orange and brown with acrylics, colored pencil and inks, beautifully and realistically portray the ever changing woods, trees, plants and animals. The girl’s appreciation for all she sees and hears is as evident in her face and body language as it is in the text. While not as obviously place-specific as the prolific author’s Desert Song, illustrated by Ed Young (2000), the flora and fauna are recognizably Californian—but the appeal will be universal.

This gentle, lyrical celebration of the natural world will reward similarly observant readers. (Picture book. 4-8)

Pub Date: Aug. 26, 2014

ISBN: 978-1-4424-7251-8

Page Count: 40

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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