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THE SINNER'S GRAND TOUR

A JOURNEY THROUGH THE HISTORICAL UNDERBELLY OF EUROPE

A travel journalist’s search for pornographic relics, subversive texts and sinful sites becomes the itinerary for his family’s European vacation.

Victorian elites once sent their sons on the Grand Tour. These lengthy excursions allowed young men the opportunity for leisurely indulgence in the cornucopia of European cultural delights. Perrottet’s quest for enlightenment heads in a more saucy direction. Having tackled similar bawdy topics in his previous books (Napoleon’s Privates: 2,500 Years of History Unzipped, 2008, etc), the author was mesmerized by collection of sexual oddities housed in the British Museum, including ancient Roman phallic jewelry and amulets depicting athletic coital positions. With his family in tow, Perrottet began tracking down the “forbidden historical fruit” scattered across Europe. Starting their vacation along the gloomy Scottish coastline, the author visited the Beggar’s Benison, a sex club founded in 1732. As his wife and sons longed for sunshine and swimming pools, the family slowly navigated toward sunnier locales with stops in Paris, the French countryside, Lake Geneva, Venice and the Vatican. They finally landed in Capri, where “[i]t was as if the soil itself were irrigated with sin. The brilliant light, the crystalline water, the languid heat, all cried out, carpe diem.” Throughout, Perrottet humorously recounts his travails at tracking down the location of luxurious Belle Époque brothels; his thrill at securing a spot with a secret tour of Casanova’s prison cell; and his successful wrangling with Vatican authorities for a glimpse of Raphael’s Bathroom of Love. In Lacoste, the author gently and persistently pestered Pierre Cardin, the owner of the Marquis de Sade’s home, into allowing him a visit into the infamous rake’s dungeon. Perrottet layers his narrative with tantalizing historical research, funny family complications and slightly acerbic comments regarding contemporary Europeans. A well-researched, amusing recollection of one family’s offbeat holiday trek to the naughty nooks of Europe.

 

Pub Date: May 10, 2011

ISBN: 978-0-307-59218-7

Page Count: 304

Publisher: Broadway

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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