A challenging exercise in decoding strong human emotions—but worth the effort.
From the Netherlands via New Zealand, 10 short stories with casts of animal characters examine varying aspects of anger, whether overt, subtle, or suppressed.
In the first tale, a firebelly toad’s anger takes the form of harsh and violent attacks on other animals, causing them great pain. The toad demands expressions of anger from the victims but perceives their anger as not real or strong enough. The victims are upset because they cannot understand the immensity of the firebelly toad’s anger. In another story, a squirrel is sad that his ant friend has gone away; he cannot be angry but waits patiently for the ant’s return—but his anger is displaced, strangely enough, onto the walls of his home. Most of the tales involve animals in varying stages of anger, some directing it inward, some lashing out at others, some fearing another’s anger, and some letting it go. Many of the male animals are actively aggressive, while many of the females display stereotypes. The ant needs to be rescued, the praying mantis is a fashionista, and the frog displays jealousy. Boutavant’s rich, nuanced illustrations depict the animals as expressing human emotions and living in humanlike dwellings while still remaining true to their species in appearance. Youngsters might be quite perplexed by the tales, for Tellegen rarely provides clues to the characters’ motivations and often leaves readers to arrive at their own conclusions. They would be well served by reading and discussing the work with a loving grown-up.
A challenging exercise in decoding strong human emotions—but worth the effort. (Illustrated stories. 9-11)Pub Date: Oct. 5, 2021
ISBN: 978-1-776573-45-5
Page Count: 82
Publisher: Gecko Press
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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