Lee’s smoothly competent writing can’t save this bland, by-the-numbers race to save the world.
A prion disease originating at an Alaskan pig farm is causing people to lose their memories. One young woman holds the key to a cure.
It’s a cold winter’s day in rural Iowa when 22-year-old Wynter Roth is unceremoniously booted from the compound of apocalyptic cult New Earth as its founder, Magnus Theisen, looks on. Wynter is devastated, but luckily, Julie, her mother’s former best friend, offers her a home beyond New Earth’s formidable gates. Wynter was a small child when her mother brought her and her sister, Jaclyn, to New Earth, and she was never a thoroughly willing convert. Nonetheless, her faith in God has been inevitably shaped by the ravings of Magnus Theisen, a millionaire and self-styled prophet who has convinced his followers that the end is coming with all the fire and fury of a vengeful God behind it. Soon after Wynter leaves New Earth, people start falling ill with an affliction that causes a form of dementia, and society begins a slow, rolling collapse, helped along by cyberattacks by vaguely defined foreign threats. After Julie’s husband, Ken, conveniently an epidemiologist, is called away to help, Jaclyn—who is married to Magnus—shows up with tissue samples and implores Wynter to get them to a veterinarian in Colorado and get her 5-year-old daughter, Truly, out of New Earth. So, Wynter sets off across a chaotic, increasingly deadly landscape where she eventually meets up with Chase Miller, a handsome ex-Marine who offers help. The book’s strongest sequences, interspersed throughout, take place during Wynter’s formative years at New Earth. Wynter narrates, giving us an eye-opening look at how cults groom their faithful masses, and her integration back into the outside world feels realistic. Christian novelist Lee (Firstborn, 2017, etc.) offers a pragmatic, down-to-earth approach to faith, and Magnus is creepy enough to rival anything that prion disease can throw at poor Wynter. However, Lee misses an opportunity to put a unique spin on stale societal-collapse tropes, and Wynter’s travails will barely make seasoned genre readers flinch.
Lee’s smoothly competent writing can’t save this bland, by-the-numbers race to save the world.Pub Date: Jan. 29, 2019
ISBN: 978-1-4767-9862-2
Page Count: 368
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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