Still, this is a wholly involving and piercingly intelligent examination of contemporary popular culture.
Collected dispatches of the de Tocqueville of the Hip-Hop Nation.
Journalist Touré’s (Rolling Stone; the New Yorker) impassioned, insightful and stylish articles on hip-hop make up the bulk of these collected pieces, and their cumulative effect is staggering; Touré employs his sly voice, clear sense of mission and novelist’s eye for the telling detail to elevate his profiles and interviews above conventional celebrity journalism, creating a political and personal manifesto that is provocative and deeply felt. As the author grapples with hip-hop’s place in American culture and his own complicated responses to it, his subjects come to startling life: Embattled rapper 50 Cent’s girlfriend proudly displays their young child’s pint-sized, bullet-proof vest; genial MC DMX casually recalls the time he stabbed a first-grade classmate in the face; fearsome record exec Suge Knight decorates his offices with framed portraits of Lucille Ball and Elvis Presley; and soul diva Alicia Keys confesses her painfully conflicted reaction to post-9/11 patriotism. Fascinating bits of off-the-cuff sociology abound: The author compares rap collectives such as the Wu-Tang Clan and the Junior M.A.F.I.A. to traditional African family structures; the plight of the gay rapper is frankly addressed; graffiti artists play cat-and-mouse with authorities in the pursuit of their ephemeral art. To lighten the mood, Touré takes on Prince and Wynton Marsalis in one-on-one games of basketball, and the doyens have rarely come off so likable and human. Venturing beyond black popular music, Touré proves equally adept at limning compelling portraits of tennis players, race-car drivers and Ivy League counterfeiters. Touré includes a searing personal essay, What’s Inside You, Brother? (tapped for The Best American Essays 1996), near the end of the book; it’s a tour-de-force of punishing, articulate introspection that clarifies and deepens the searching tone of the preceding work. Like his subjects, Touré occasionally indulges in boastful self-mythologizing—the book’s title is a testament to his incorruptibility, and a piece on his bad-boy sexual exploits seems ill-considered.
Still, this is a wholly involving and piercingly intelligent examination of contemporary popular culture.Pub Date: March 1, 2006
ISBN: 0-312-42578-3
Page Count: 416
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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