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ABDUCTED

LIZZY GARDNER SERIES #1

Awards & Accolades

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Nearly a decade and a half after abducting teenager Lizzy Gardner, her captor is ready to seek revenge on the one who got away, in Ragan’s white-knuckled thriller,

When she was 16-years-old, Lizzy Gardner lied to her parents about spending the night with friends and snuck out with her boyfriend, Jared. When he dropped her off a block from her home, it was just too easy for the kidnapper to switch gears and take Lizzy instead of the Anderson girl. But after two months of torture, including being poisoned and burned, Lizzy escaped. At 30-years-old, she’s now a private investigator who spies on unfaithful spouses and teaches girls how to defend themselves. Jared is now an FBI agent and, after having not spoken to Lizzy since the abduction, he contacts her because the madman who took her is at it again—and he left a personal note for Lizzy with his latest victim. In James Patterson style, Ragan choreographs a tightly woven dance among a large cast who all have a connection to Spiderman, the moniker given to the killer because of his penchant for torturing victims with creepy crawlers. Ragan’s psychopath is on a mission to teach “bad” girls a lesson and punishes them according to their vice. With no shortage of plot swells, Lizzy and Jared, along with Sgt. Jimmy Martin and even Lizzy’s self-defense student, Hayley Hansen, are determined to rescue Spiderman’s latest victim, someone Lizzy would risk her life for. Even the killer’s own sister is looking for him and may hold the clue to his depravity, where slicing a pinky off a victim thrills him. Although the story boasts a couple of oddities, such as why Ragan chose similar names for her characters (Warner, Winters, Walker; Crawford, Crowley) and why nearly every character is on the verge of divorce, or divorced, the masterful storytelling and inventive plot trample these minor inconveniences. Lizzy is Hannibal Lechter’s Clarice, and although parallels to Silence of the Lambs abound, Ragan’s thriller stands on its own. The satisfyingly frightful episode of a calculating cutthroat.

 

Pub Date: May 29, 2011

ISBN: 978-1463717094

Page Count: 348

Publisher: CreateSpace

Review Posted Online: Jan. 19, 2012

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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