An indomitable rookie crime reporter with a deeply troubled past pursues an even more disturbed serial kidnapper.
Sawyer Brooks was orphaned a month ago when her mother, who’d long covered for her abusive, pedophiliac husband, shot him to death and was shot in turn by one of her own daughters––Sawyer's sister Aria. Growing up in that family, Sawyer has learned to accept her place at the foot of the table—a spot she now fills at the Sacramento Independent, where she survives on the crumbs that fall from the plate of veteran reporter David Lutz. But she can’t let go of the disappearance of 12-year-old Riley Addison. She can’t believe that Riley was harmed by Mark Brennan, the piano teacher from whose doorstep she vanished—even though he grew up in a nearby town that was home to another victim three years ago. When she challenges Detective Perez, whose wrath she already incurred in Don’t Make a Sound (2020), because the blood he found on Brennan’s front steps and matched with Riley’s blood wasn’t there the day before, when Sawyer and Aria interviewed Brennan, Perez stares her down. And he demands that she be pulled off the story after a hot lead she supplies about another possible kidnapper turns into an embarrassment and a possible lawsuit against the police. Defying all obstacles, Sawyer presses on, linking Riley’s case to half a dozen other abductions over the years. She’s so sharply focused that she has no idea that her other sister, Harper, is dealing with their traumatic family history in an even more cathartic way: by taking an active role in The Crew, a group of female vigilantes who deal out summary justice to abusers from their pasts.
Too many kidnappings, abusive men, and damaged women spoil the broth.