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BLACK JOY

STORIES OF RESISTANCE, RESILIENCE, AND RESTORATION

A simultaneously gorgeous and heartbreaking read.

A loving homage to all members of the African diaspora who strive to preserve their personal joy at all costs.

In her latest poetic book, Lewis-Giggetts examines the importance of being kind to oneself, a struggle with which many readers will be familiar. More specifically, she delineates how Black citizens must fight for joy no matter the obstacles. “Our trauma has taught us to take what we can get and run with it…maybe even literally,” she writes. “Yes, our ‘magic’ is found in our ability to turn most things into art, beauty, resilience, et cetera. But when we demand more, when we are willing to [follow] a process that is hard and seemingly fruitless, we gain more.” The absence of joy, she argues convincingly, can manifest in ways that go far beyond just the psychological; there are also dangerous physical health problems and conditions to contend with, as the body strives to manage inflicted trauma. In a nod to the significant strength and bravery of those gone before her, Lewis-Giggetts etches a stunning personal map that follows in her ancestors’ footsteps and highlights their ability to take control of situational heartbreak and tragedy and make something better out of it. “You hand us the fatback of a pig and we use it to make savory greens,” she writes. “You hand us a fledgling radio station and we turn it into a media empire….We are alchemists. So our ability to transform our lived experiences— even the ones plagued by trauma—is the very reason why we should internalize our acceptance and release ourselves from any obligation to be something other than who we are, individually and collectively.” As the author shows, joy is everywhere, but it only steps out if you’re looking for it. Hoping that readers embark on a quest for their own joyous preservation, she leaves us educated about the process and ready to work on the self-healing we all require.

A simultaneously gorgeous and heartbreaking read.

Pub Date: Feb. 1, 2022

ISBN: 978-1-982176-55-6

Page Count: 288

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Nov. 15, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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