A simultaneously gorgeous and heartbreaking read.
A loving homage to all members of the African diaspora who strive to preserve their personal joy at all costs.
In her latest poetic book, Lewis-Giggetts examines the importance of being kind to oneself, a struggle with which many readers will be familiar. More specifically, she delineates how Black citizens must fight for joy no matter the obstacles. “Our trauma has taught us to take what we can get and run with it…maybe even literally,” she writes. “Yes, our ‘magic’ is found in our ability to turn most things into art, beauty, resilience, et cetera. But when we demand more, when we are willing to [follow] a process that is hard and seemingly fruitless, we gain more.” The absence of joy, she argues convincingly, can manifest in ways that go far beyond just the psychological; there are also dangerous physical health problems and conditions to contend with, as the body strives to manage inflicted trauma. In a nod to the significant strength and bravery of those gone before her, Lewis-Giggetts etches a stunning personal map that follows in her ancestors’ footsteps and highlights their ability to take control of situational heartbreak and tragedy and make something better out of it. “You hand us the fatback of a pig and we use it to make savory greens,” she writes. “You hand us a fledgling radio station and we turn it into a media empire….We are alchemists. So our ability to transform our lived experiences— even the ones plagued by trauma—is the very reason why we should internalize our acceptance and release ourselves from any obligation to be something other than who we are, individually and collectively.” As the author shows, joy is everywhere, but it only steps out if you’re looking for it. Hoping that readers embark on a quest for their own joyous preservation, she leaves us educated about the process and ready to work on the self-healing we all require.
A simultaneously gorgeous and heartbreaking read.Pub Date: Feb. 1, 2022
ISBN: 978-1-982176-55-6
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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