A hypnotic, dynamic biography of a woman who’s always understood music’s power to celebrate identity and spread joy.
Ella Jenkins opened up the field of children’s music and inspired generations.
“Ella is a South Side girl, / a Bronzeville bird, / skipping in streets that / smell of sweets and black-eyed peas.” Todd’s gorgeous free verse bursts with internal rhymes and delightful assonance and consonance as she tells the story of Ella Jenkins (b. 1924). Growing up in Chicago, Ella hears Count Basie and Cab Calloway, whose call-and-response music Todd aptly compares to “the beating / of wings.” As she matures, Ella hears rhythms in the sounds of protesters taking a stand against segregation; by contrast, while waiting to be seated in restaurants that don’t allow Black people like her, she’s surrounded by silence. She moves to San Francisco’s Codornices Village, where white and Black families live side by side. There she teaches music to children by day and at night listens to “Congas pop! / Claves click! / Maracas shick-shick-shick!” When Ella later returns to Chicago, the Civil Rights Movement is in full swing, and she notices “a bolder sound.” She makes call-and-response records, travels the world teaching and performing, and receives a Grammy Lifetime Achievement Award; through it all, she’s motivated by her belief that music can help listeners feel seen and understood. Davis’ energetic art explodes with stars, word bubbles, musical notes, and bold colors—a perfect complement to Todd’s lyrical language.
A hypnotic, dynamic biography of a woman who’s always understood music’s power to celebrate identity and spread joy. (author’s note, timeline, further information about Ella Jenkins, selected bibliography) (Picture-book biography. 7-10)Pub Date: Jan. 7, 2025
ISBN: 9781452170640
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Quick and slick, but ably makes its case.
The distinguished jurist stands tall as a role model.
Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”
Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)Pub Date: Jan. 9, 2024
ISBN: 9780593533338
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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