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SO, THIS IS CHRISTMAS

A quaint romance that succeeds after an opening stumble.

A teen returns home for the holidays.

After flaming out at her fancy Connecticut boarding school, Finley Brown returns to her hometown of Christmas, Oklahoma, and is shocked to see things aren’t the way she left them. Her hometown BFF is dating her ex–BF, her mom has skipped town for some me time, and her bitter rival is working at her grandmother’s inn. The biggest surprise is that her haughty/hotty classmate, Arthur, has followed her home with his Christmas-obsessed aunt in tow, lured under false pretenses to celebrate in a town that’s supposed to be dripping with holiday cheer. With a little elbow grease and a Christmas miracle, Finley might just be able to salvage things and give everyone the greatest gift of all: love. Finley juggles expectations against reality, trying to make the best of a bunch of crummy situations, and the round robin of plotlines is slowly fleshed out. The opening chapters are the novel’s weakest: Finley’s self-absorption renders the secondary characters as cartoonish and painted in broad strokes, particularly Arthur. Fortunately, he and the rest get rounded out by the ending, which boasts enough shading to set the novel apart from the Christmas movie allusions that come up at every other turn. The end result is a pleasant romance set against a solid character piece. Finley is presumed White, and British Arthur is biracial (Indian/White).

A quaint romance that succeeds after an opening stumble. (Romance. 14-18)

Pub Date: Oct. 5, 2021

ISBN: 978-0-593-35312-7

Page Count: 368

Publisher: Viking

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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