Entertaining and delicious Stuart-era scandalmongering.
The final installment of Borman’s lively trilogy—begun in The King's Witch (2018) and The Devil's Slave (2019)—about a secretly Catholic woman embedded in the treacherous court of King James I.
Frances, now mother of two sons, has again left her country retreat for James’ court, this time due to her own mixed concern and longing for her husband, Sir Thomas Tyringham, whose duties as master of buckhounds keep him locked into the busy royal hunting schedule. At court, excitement mounts thanks to an element the first two volumes of this series lacked: a truly diabolical antagonist. Frances is not exactly welcome at court—in fact, ladies-in-waiting have no function since Queen Anne now lives apart from the king. James’ closest and most powerful advisers are now his male “favourites”—and the newest and most virulently scheming of these is George Villiers. Thanks to his angelic looks, seductive charm, and complete lack of scruples, Villiers is soon the king’s de facto consort, garnering the Order of the Garter and a dukedom along the way. Villiers is vicious to anyone in that way, including Thomas, whose work life Villiers, as master of horse, makes miserable—he is the ultimate bad boss. Villiers is also responsible for the loss of Frances’ pregnancy when he deliberately causes her to fall. Despite this, and Villiers’ threats to leverage her deepest secrets against her, Frances seems remarkably slow to anger, and the lengthy timeline dilutes the conflict—the action here spans 14 years. Also straining belief is the number of occasions Frances stumbles, unobserved, upon Villiers’ depraved assignations. Frances’ overriding aim is to restore Catholicism to England: In this she is joined by other closet Catholics, including the crown prince, Charles, and Kate, an heiress whom Villiers will stop at nothing, literally, to wed for her money. Scenes starring Villiers come alive as the other characters cope, ineffectually and overcautiously, with the viper in their midst.
Entertaining and delicious Stuart-era scandalmongering.Pub Date: Nov. 10, 2020
ISBN: 978-0-8021-5761-4
Page Count: 480
Publisher: Atlantic Monthly
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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