by Tracy Chevalier ‧ RELEASE DATE: May 16, 2017
This follow-the-plot-dots modernization unfortunately falls flat due to Chevalier’s heavy-handedness in turning Othello into...
As her contribution to the Hogarth Shakespeare series of contemporary retellings of the Bard’s works, Chevalier (At the Edge of the Orchard, 2016, etc.) turns Othello into the story of a disastrous chain of events that follows a black student’s arrival at a white elementary school in suburban Washington, D.C.
Knowing Othello is a tragedy, readers begin the novel with dread, aware that at least one of the sixth-grade protagonists gathering before classes begin will likely meet a tragic end. Among the girls, Dee is smart and popular, Mimi intuitive and thoughtful, Blanca what used to be called “fast.” Blanca’s boyfriend, Casper, is the most popular boy, but “calculating” Ian runs the playground. The children are shocked by the arrival of Osei, a Ghanaian diplomat’s son and the first black child the all-white school has seen. Despite references to Soul Train and bell bottoms, the school’s straight-laced, narrow-minded atmosphere feels more 1950s than post–Civil Rights–era 1970s. Dee and Casper are the two exceptions. Casper offers friendship while the romantic attraction between Dee and Osei is immediately palpable—and goes over the top into ick-factor territory when Dee looks at Osei and “the fire leapt and spread through him.” Meanwhile, Ian senses Osei will challenge his sway over his classmates, especially after Osei shows prowess during a kickball game. Lacking Osei’s confusing charm, Ian comes across as a bully who controls through fear. He manipulates the other kids to create emotional mayhem that closely follows the original play’s outline. The book’s five divisions equate to the play’s five acts, and the novel’s primary pleasure lies in how Chevalier parallels Shakespeare’s plot details—for instance, transforming Othello’s handkerchief embroidered with strawberries into Osei’s strawberry-embossed pencil box and having the kids play on a playground pirate ship.
This follow-the-plot-dots modernization unfortunately falls flat due to Chevalier’s heavy-handedness in turning Othello into a polemic on the evils of American racism and her awkward shoehorning of tween angst into Shakespearian tragedy.Pub Date: May 16, 2017
ISBN: 978-0-553-44763-7
Page Count: 288
Publisher: Hogarth
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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edited by Tracy Chevalier
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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