A high-energy love story about identity and attachment, perfect for fans of romances with unlikely pairings.
A contemporary romance about a woman who returns to California after years of photographing bears in the Arctic and falls in love with a movie star.
In the most recent installment of her Love Stories series, Ewens (Playbook, 2017, etc.) follows Megara Jeffries, an accomplished magazine photographer who’s decided to move back to her hometown of San Francisco and finally put down roots. As a means of earning money now that she’s no longer traveling to exotic locations on shoots for National Geographic, Meg acquires an agent and is soon booked to speak at several public events. At the first, a nervous Meg is escorted onstage by Westin Drake, a Hollywood A-lister whose name means nothing to her. They quickly form a bond, though, as West helps Meg stave off a panic attack and get through her first public appearance. Soon the press becomes obsessed with their budding relationship. As a result of their shared interest in environmentalist causes, Meg and West are thrown together time and again, and each time, they grow steadily more attached to each other. Unfortunately, the closer they get, the more Meg realizes that West lives in a world that she may not care to inhabit. As Ewens creates one obstacle after another for the couple, she also explores deeper questions about personal choices and the true meaning of success. Along the way, she effectively shows how the pair struggles with whether they can have a meaningful future with each other and how they begin to question their own individual paths. The narrative has a light and fast-paced feel throughout, and, as in Ewens’ other books, it engagingly tackles complicated questions without ever sacrificing its quick tempo. As the eighth book in the series, this satisfying tale of love and risk does recycle some characters from prior installments, including Meg’s sisters, but for newcomers, it will stand solidly on its own.
A high-energy love story about identity and attachment, perfect for fans of romances with unlikely pairings.Pub Date: March 25, 2017
ISBN: 978-0-9976838-4-4
Page Count: 278
Publisher: CreateSpace
Review Posted Online: April 7, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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