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BLUE FLOATS AWAY

A splendid springboard to both STEM and art activities.

The water cycle gets the anthropomorphic treatment.

When Little Blue breaks off from his parents—a single iceberg with two heads—he’s swept away by the surrounding waves. Unsure if he’ll ever return, Blue drifts farther and farther away, witnessing snow and eventually finding companionship: fish, the moon, and boats, which help him learn about winds and currents. But Blue discovers he’s changing. As the sky warms, he grows ever smaller until he melts into the surrounding water; unable to help him, his friends leave. Then Blue evaporates, condenses, and becomes a cloud. In the sky, he meets new friends who help orient him toward home; on the way, Blue changes again, bringing about a happy reunion. This tale is told in easily comprehensible terms for the youngest readers and listeners. Blue is an accessible, sweet character who brings emotional depth to an important science concept. Dazzling illustrations, created with cut paper, colored pencil, and white ink, will hold kids’ rapt attention while they hear, wide-eyed, about Blue’s destiny. Illustrations aptly feature shades of vivid blues, but eye-popping pinks, reds, oranges, yellows, and purples also emblazon these pages. Blue and his parents are expressive even though their faces are depicted merely with light-blue dots. An author’s note explains the water cycle and climate change, and it offers tips to protect the planet. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 48.7% of actual size.)

A splendid springboard to both STEM and art activities. (Picture book. 3-6)

Pub Date: March 23, 2021

ISBN: 978-1-4197-4423-5

Page Count: 40

Publisher: Abrams

Review Posted Online: Dec. 24, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GREEN IS FOR CHRISTMAS

Fun enough to read once but without enough substance to last.

Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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