by Travis Nichols ‧ RELEASE DATE: June 11, 2013
An experimental novel of obsession and violation that makes Nicholson Baker and Mark Leyner look positively banal.
A deeply unreliable narrator takes the form to the next level when he foists himself on the owners of a schlocky wedding blog.
Stalker novels are nothing new in the world of thrillers, but posing one as a shrill, fey experiment in comedy may well be a tough sell for sophomore novelist Nichols (Off We Go Into the Wild Blue Yonder, 2010). The poet-turned-novelist deeply indulges his love of the clipped, erratic style of poetry as well as a penchant for the epistolary device, last seen in the letters that make up his debut. Moving into the Internet age has opened up a new vein of satire for Nichols, who makes not-so-subtle jabs at the twin demons of self-promotion and personal privacy. For starters, his unnamed narrator is batshit crazy—not necessarily a bad thing in characters ranging from Patrick Bateman to Tyler Durden—but his lead’s protracted screeds about conspiracy theories and personal slights quickly become wearying. Our guy, trying to track down a beloved ex, MFL (“My First Love”), spends his days trolling the Web looking for pictures of her. That’s when he unfortunately runs across a picture of Charli Vistons, bride-to-be. He quickly breaks into her public blog at Charlico.com and learns of her impending nuptials to Nico Novtalis, brother to the blog moderator, Chris. Naturally, our stalker’s logic isn’t always easy to follow. “The personal is absolutely political, after all,” he practically seethes. “Of course blog comments in general, dear readers, are revolutionary because they allow for point X, which dilates our triangular perception from simple A, B, and C into the pyramidal realms.” And so on, and on, and on as our lunatic host opines that Chris is trying to pluck his brother’s prize. We also get some background in memories of related adolescent hijinks, but whether readers have the stamina to finish the ride is a fair question.
An experimental novel of obsession and violation that makes Nicholson Baker and Mark Leyner look positively banal.Pub Date: June 11, 2013
ISBN: 978-1-56689-321-3
Page Count: 220
Publisher: Coffee House
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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