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DREAM STREET

Dreams for Black children manifest in striking art as the very idea of streetis reimagined.

In an already-special neighborhood, a very special street ensures that a community is able to thrive.

Dream Street is an appropriately named space for Black kids to play and grow with the nourishment and support of their elders. From the chalk drawings and hopscotch boards to the garden behind Dessa Rae’s house or Ede’s treasure trove at the top of the hill, the neighborhood very much teems with life and the aspirations of these young people. Holmes’ brilliantly hued collage work and Walker’s detailed genealogy of the street show how Ms. Sarah the Hat Lady, the dapper retiree Mr. Sidney, Ms. Barbara the friendly librarian, and several other adults have all paved the way for Dream Street to be an avenue of communal enrichment and thoughtful preparation for everything that awaits these kids. The book is more a collection of character studies than a story, and each double-page spread is devoted to one person or, sometimes, a group. Walker’s text sits opposite Holmes’ portraits, which occupy as much space as they need. The five Phillips boys, all named for jazz musicians, stand close together for a single-page vertical composition in their Sunday suits; Dessa Rae’s portrait extends across the gutter, allowing her to stretch out in a chaise longue with grandbaby Little Song pillowed on her chest. (This book was reviewed digitally.)

Dreams for Black children manifest in striking art as the very idea of streetis reimagined. (author & illustrator's note) (Picture book. 4-10)

Pub Date: Nov. 16, 2021

ISBN: 978-0-525-58110-9

Page Count: 32

Publisher: Anne Schwartz/Random

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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