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WE WILL REST!

THE ART OF ESCAPE

Warm, wise, and humane.

A multidisciplinary African American artist/theologian muses on the concept of rest as necessity and strategy.

Hersey opens with a provocative question: “How do you find rest in a capitalist, white supremacist, patriarchal, ableist system?” In this part art object, part “escape artist” manifesto, Hersey offers a 10-step guide to finding rest from the oppressiveness of “grind culture.” Finding inspiration in historical figures like Harriet Tubman, who led other enslaved people to freedom, Hersey counsels readers to first become a “trickster” dedicated to ignoring everything that “stands in the way of…liberation.” Creating community is also key to finding—and perpetuating—safe spaces that allow for deliverance. At the same time, she warns that freedom requires the artfulness of improvisation because no single path will suit all who desire rest. Seekers must consciously slow down and listen to their bodies and their own inner wisdom while steering clear of the material forms of self-care that “toxic capitalism” tries to force on those caught in its gears. Their inner trickster must also be open to constant self-reinvention, an act that liberates in how it catches the grind culture off guard. Finding comfort in poetry—and especially the politically inflected poetry of Nikki Giovanni and Langston Hughes—also assists with a seeker’s mission to continue dreaming in a system that exhausts the body and numbs the mind and spirit. As it calls out the racist, sexist brutality of hypercapitalism, this spiritual book offers respite to the weary through spare, duotone illustrations, playful word-based page layouts, and refreshingly uncluttered pages that sum up her wisdom in everything from epigrams and single-paragraph reflections to poems and brief narratives.

Warm, wise, and humane.

Pub Date: Nov. 12, 2024

ISBN: 9780316365550

Page Count: 160

Publisher: Little, Brown Spark

Review Posted Online: Sept. 27, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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