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FULL, FULL, FULL OF LOVE

Happiness and comfort overflow in this cozy tale of domestic bliss. An African-American boy, Jay Jay, narrates the weekly event in which “uncles and aunties, cousins and friends” all gather at Grannie’s house for Sunday dinner. Jay Jay’s mother drops him off on her way to pick up his father, so he and Grannie, whose face is as soft and warm as a down comforter, wait for the other guests. Cooke (The Grandad Tree, 2000, etc.) portrays Jay Jay’s anticipation in true child form as he repeatedly asks if dinner’s ready yet and watches restlessly out the window. The focus on Jay Jay and Grannie in the beginning might lead the reader to expect more of a story about their relationship rather than a celebration of ritual and family, but a celebration it is. Cars full of relatives finally pull up and out tumble tired, but cheerful parents and excited kids. Howard’s (One Bright Penny, p. 1395, etc.) inviting illustrations capture the complex expressions and postures of the adults and the children’s giddy and gleeful faces. The rhyming dinner menu, which Jay Jay recites, is astounding. “There were buttery peas, chicken and yams, macaroni and cheese, potatoes and ham. Biscuits, gravy, collard greens, pasta salad, rice and red beans! There was apple pie and vanilla ice cream, fresh peach cobbler covered in steam, raspberry sauce, coffee and tea—plenty, plenty for everybody!” Though a February release, the content invokes the holiday season and voices the importance of family without forcing it down anyone’s throat. Nothing else could fit after that meal anyway. (Picture book. 3-6)

Pub Date: Feb. 1, 2003

ISBN: 0-7636-1851-9

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

Categories:
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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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