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WHO AM I?

The elegant simplicity of the artwork, content, and format should make this a repeatable favorite for kids and caregivers...

Sturdy, slide-and-see puzzles introduce toddlers to a few favorite animals in this French import.

In a book designed to be operated by rough, young hands, several animal friends hide, more or less, in plain sight. “Who am I?” the cover queries, as two big eyes peer out of a nondescript explosion of yellow, with a few black, ambiguous lines. Pull on the easy-to-grip tab, and two ears, a nose, and a mouth slide up into place, revealing the unmistakable features of a cat whose tail, readers will note slinks around to the book’s back cover. Inside, the front cover’s reverse page sports featureless masses of tan, orange, and brown. The facing page asks, “Hoo, hoo… / Who is awake when night comes?” Pull the tab again: “It’s me, the owl!” The book goes on to present a frog, a bear, a tortoise, a snail, a rabbit, a fox, an elephant, and a duck, each with an appropriate animal sound and one easily assimilated fact per creature. The final image is of an egg, from which a chick hatches when a helping toddler hand slides the page open. There is much here to captivate the youngest readers: interactive tactile activity, animal sounds to replicate, and questions that can all be answered in the repeating format, “It’s me, the frog [or bear, tortoise, snail, etc.].”

The elegant simplicity of the artwork, content, and format should make this a repeatable favorite for kids and caregivers alike. (Board book. 1-3)

Pub Date: Aug. 7, 2018

ISBN: 978-2-40800-435-4

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: July 23, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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FUTURE ENGINEER

From the Future Baby series

A book about engineering notable mostly for its illustrations of diverse characters. (Board book. 1-3)

Babies and engineers have more in common than you think.

In this book, Alexander highlights the unlikely similarities between babies and engineers. Like engineers, babies ask questions, enjoy building, and learn from their mistakes. Black’s bold, colorful illustrations feature diverse babies and both male- and female-presenting adult characters with a variety of skin tones and hair colors, effectively demonstrating that engineers can be any race or either gender. (Nonbinary models are a little harder to see.) The story ends with a reassurance to the babies in the book that “We believe in you!” presumably implying that any child can be an engineer. The end pages include facts about different kinds of engineers and the basic process used by all engineers in their work. Although the book opens with a rhythmic rhyming couplet, the remaining text lacks the same structure and pattern, making it less entertaining to read. Furthermore, while some of the comparisons between babies and engineers are both clever and apt, others—such as the idea that babies know where to look for answers—are flimsier. The book ends with a text-heavy spread of facts about engineering that, bereft of illustrations, may not hold children’s attention as well as the previous pages. Despite these flaws, on its best pages, the book is visually stimulating, witty, and thoughtful.

A book about engineering notable mostly for its illustrations of diverse characters. (Board book. 1-3)

Pub Date: Sept. 17, 2019

ISBN: 978-1-338-31223-2

Page Count: 24

Publisher: Cartwheel/Scholastic

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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SHAPES ALL AROUND

Don’t judge this book by its cover; there’s an unusual concept and whimsical illustrations hiding underneath

A series of solid shapes substitute for natural objects in this board book that is somewhere between concept book and riddle game.

What’s that shape supposed to be? Running across a rust-brown labeled triangle, amid trees and elk, the text “Climb a TRIANGLE to the top” suggests the shape is a mountain; in an ocean scene with a red “STAR washed in on the waves,” the shape implies a sea star. Ample visual cues give young readers enough context to guess what the shape evokes, with some unexpected touches, such as “HEXAGON” printed on hexagonal honeycombs buzzing with bees and surrounded by golden flowers. Short, commanding sentences keep things humming, but with only six shapes covered, the book feels all too brief. Illustrator Devernay combines delicate pencil line drawings and sketchy gray-black shading with tiny, meticulously cut colored-paper collage to create her plants and animals. The most intimate drawings amaze. Close-ups of smooth stones are so appealing that readers will long to pick one up and “rub a smooth OVAL between thumb and finger.” Sadly, the cover doesn’t do the interior justice, and things get murky when several hues mix there and on the final spread. But on other spreads, where there’s a single color, it pops against the gray, such as the minute yellow beaks on the flock of charcoal birds circling the yellow “CIRCLE” sun.

Don’t judge this book by its cover; there’s an unusual concept and whimsical illustrations hiding underneath . (Board book. 1-3)

Pub Date: March 13, 2018

ISBN: 978-1-56846-317-9

Page Count: 14

Publisher: Creative Editions/Creative Company

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: July 1, 2018

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