by Troon Harrison ‧ RELEASE DATE: March 1, 1999
From readers’ early glimpses of Zachary, the red-haired, bespectacled moppet hero of this story, standing on the edge of an orange toilet seat in his acid green jammies, they’ll know this is no ordinary tale. Zachary finds two zebras and a shaggy dog drinking from the birdbath quite early one Saturday morning, and a white-bearded codger out front trying to start his truck. The codger is the Dream Collector, who gathers folks’ dreams before dawn each day to keep them from becoming real when the sunlight touches them. Zachary brings him tools and tries to round up the stray dreams; zebras, pirates, a knight, and a dragon are loaded into the truck. The Dream Collector gets it started just in time—but allows the dream-conjured shaggy dog, with “eyes like chocolate kisses” to stay and become Zachary’s real dog. Children might find the thought of dreams becoming real either delightful or creepy, but it is hard not to be charmed by the illustrations, with their deep palette of greens, reds, and blues; the fully realized shapes of Zachary and the Dream Collector and the truck are reassuring next to the more evanescent forms of the dragon and the pirates. As Zachary bounds up to his parents’ bedroom with the dog in tow, young readers will have a fine time thinking about what happens next. (Picture book. 3-7)
Pub Date: March 1, 1999
ISBN: 1-55074-437-2
Page Count: 32
Publisher: Kids Can
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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BOOK REVIEW
by Jason Akley ; illustrated by Bobbi Switzer ‧ RELEASE DATE: April 13, 2007
Gibberish with meritless pictures. (Picture book. 5-7)
A young girl’s dream takes her on a fantastical adventure.
In what is ostensibly verse, Akley tells of a little girl who has a dream–or perhaps a metaphorical adventure or spiritual awakening–about a gold candlestick. Determined to find the meaning behind it, she embarks on a quest, along the way meeting various preachy animals in different settings. It’s clear that lessons are supposedly being taught, but what exactly that wisdom entails is lost in text that is awkward, lengthy and clichéd. Presented as prose despite the attempted verse, the story fails to generate interest. The accompanying illustrations are unpleasantly colored and amateurish; faces are distorted, and the pictures often deviate from the text. Readers will sense that the girl achieves her quest but will never understand its purpose. Akley claims the story has a basis in the Book of Revelations, but beyond the word “cross” and the possibility of an ever-present shepherd, no actual meaning–religious or secular–is decipherable.
Gibberish with meritless pictures. (Picture book. 5-7)Pub Date: April 13, 2007
ISBN: 978-1-4327-0312-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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BOOK REVIEW
by Jason Akley ; illustrated by Bobbi Switzer
by Mayra Montero & translated by Edith Grossman ‧ RELEASE DATE: May 1, 1997
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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BOOK REVIEW
by Mayra Montero & translated by Edith Grossman
BOOK REVIEW
by Mayra Montero & translated by Edith Grossman
BOOK REVIEW
by Mayra Montero & translated by Edith Grossman
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