An astute dramatization of historical intrigue.
Historically based fiction that follows the fevered push to annex Hawaii.
In the last throes of the 19th century, powerful sugar-plantation owners based in Hawaii enjoy a free-trade treaty with the U.S. that allows them to export unrefined sugar to the States sans tax. This treaty keeps that industry afloat amid competition by the Philippines and Caribbean countries, as well as burgeoning U.S. growers. However, the unpredictable Hawaiian king is against the renewal of the treaty. Jack Powers, a senior partner at a premier U.S. law firm that represents the main sugar-plantation owners, decides that the only permanent solution to this recurring problem is to overthrow the king and force the absorption of Hawaii by the U.S. government. He intimidates the head of a local bank to manufacture evidence that the king has been embezzling money from a foundation established to distribute health care to the people of Hawaii. The king suddenly dies while on a diplomatic mission to California, leaving his sister as heir to the throne. As a result, Powers must switch course and contrive to charge the queen with treason after she announces a plan to rewrite the constitution. Meanwhile, the young attorney who admires Powers, David Coe, a man with familial roots in Hawaii, begins to feel queasy about Powers’ Machiavellian plan and disregard for the rule of law. Debut author Radakovich shows a deep understanding of the history and culture of Hawaii as well as an abiding affection for it. While he dramatizes historical events with some narrative license, he does an impressive job of remaining true to the documented facts. Also, the character of David Coe captures an ambivalence that seemed to run through some of Hawaii at the time: many were enamored of commercial progress and the advantages brought by a special relationship with the U.S. but also loath to sacrifice cultural and political autonomy. This is both a thriller and a lesson in political imperialism.
An astute dramatization of historical intrigue.Pub Date: Oct. 19, 2014
ISBN: 978-0-9907286-1-0
Page Count: 302
Publisher: Nautical Technologies LLC
Review Posted Online: July 22, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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