An unusually promising series opener for proto-Goosebumps fans.
A discarded notebook with information on disquieting creatures like the Rhinoceraptor and the Forkupine isn’t the only surprise waiting in Stermont for nerdy Alexander Bopp and his oblivious dad.
As if the small town’s name, three graveyards and abandoned glue factory aren’t eerie enough, Alexander is assaulted on his first day by several of the tall, fluttering “balloon guys” commonly used by stores as attention-getters. Moreover, his new class turns out to be temporarily relocated to the local hospital’s morgue, his new teacher loudly nicknames him “Salamander Snott,” and he becomes an instant target for aptly named classmate Rip Bonkowski. The next day, things get worse. Cranking up the horrorlarity with googly eyed cartoon figures and sight gags on nearly every page, Cummings pitches his nervous but resourceful newcomer into a climactic, all-out battle with an entire army of aggressive, air-stealing bendy balloons. Happily, with help from Rip and other unlikely allies, Alexander ultimately saves Stermont from a pandemic of permanently flattened tires, pool toys and whoopee cushions.
An unusually promising series opener for proto-Goosebumps fans. (Light horror. 8-10)Pub Date: July 1, 2013
ISBN: 978-0-545-493222-2
Page Count: 96
Publisher: Branches/Scholastic
Review Posted Online: April 9, 2013
Kirkus Reviews Issue: May 1, 2013
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
The small, novel-like format (5.5 x 8 inches) will most likely appeal to reluctant or recently independent readers, who...
This much-abridged recreation of the famous tale by Hans Christian Andersen is smoothly told, following the original structure of seven short chapters, while leaving out numerous details and the Christian elements of the original.
Characters (a wolf) and incidents (a final confrontation between Gerda and the Snow Queen) have been added. Because of the elision and truncation of incidents from the original story, Gerda’s quest is less immediate and heart wrenching, and the motivations of many of the characters she meets are harder to understand. For example, it is not clear that the old woman with the magical garden tries to keep Gerda with her because she has always longed for a daughter, nor is the precarious situation of the outlaw’s daughter, who, in the original, sleeps with a knife at her side, apparent. The sophisticated, surreal and dreamlike illustrations created through mixed media, including manipulated photographs of dolls, flowers and paper constructions, often charmingly spill over onto the pages of text.
The small, novel-like format (5.5 x 8 inches) will most likely appeal to reluctant or recently independent readers, who might be encouraged by this simple retelling to seek fuller versions of the tale. (Fairy tale. 8-10)Pub Date: Sept. 1, 2011
ISBN: 978-1-84686-662-3
Page Count: 64
Publisher: Barefoot Books
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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