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THE MAGIC FISH

Beautifully illustrates how sharing old stories can be the best way to learn how to share new ones.

While Tiến is fluent in English, his Vietnamese refugee parents are not, leaving them struggling at times for a shared language.

Tiến’s mom, Hiền, asks him to read aloud the fairy tales he checks out from the library; they both love them, and she can use them to practice English. When Tiến selects “Tattercoats,” his seamstress mother tells him that there is a Vietnamese version that her own mother told her, long ago. As he reads the story of love, longing, and travel across a sea, Hiền is reminded of family she left behind in Vietnam while Tiến tries to navigate his own first love, a boy he is friends with. Le Nguyen’s gorgeous, flowing, detailed illustrations deftly weave Vietnamese and Western fairy-tale worlds together with Hiền’s memory of her past and Tiến’s struggle over coming out. The rich color palette highlights both the layers within each panel as well as serving as a road map for readers by indicating whether the panels are set in the present, the past, or within the fairy tale. This clever use of color smooths the way for the sophisticated embedding of stories within a story that highlights the complex dynamics between first-generation and second-generation family members. Warm, loving family and friends are a refreshing alternative to immigrant stories that focus on family problems.

Beautifully illustrates how sharing old stories can be the best way to learn how to share new ones. (author’s note, notes about the illustrations, bonus artwork) (Fiction. 13-17)

Pub Date: Oct. 13, 2020

ISBN: 978-0-593-12529-8

Page Count: 256

Publisher: Random House Graphic

Review Posted Online: July 26, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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DRY

Mouths have never run so dry at the idea of thirst.

When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.

When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.

Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4814-8196-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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10 BLIND DATES

An enjoyable, if predictable, romantic holiday story.

Is an exuberant extended family the cure for a breakup? Sophie is about to find out.

When Sophie unexpectedly breaks up with her boyfriend, she isn’t thrilled about spending the holidays at her grandparents’ house instead of with him. And when her grandmother forms a plan to distract Sophie from her broken heart—10 blind dates, each set up by different family members—she’s even less thrilled. Everyone gets involved with the matchmaking, even forming a betting pool on the success of each date. But will Sophie really find someone to fill the space left by her ex? Will her ex get wind of Sophie’s dating spree via social media and want them to get back together? Is that what she even wants anymore? This is a fun story of finding love, getting to know yourself, and getting to know your family. The pace is quick and light, though the characters are fairly shallow and occasionally feel interchangeable, especially with so many names involved. A Christmas tale, the plot is a fast-paced series of dinners, parties, and games, relayed in both narrative form and via texts, though the humor occasionally feels stiff and overwrought. The ending is satisfying, though largely unsurprising. Most characters default to white as members of Sophie’s Italian American extended family, although one of her cousins has a Filipina mother. One uncle is gay.

An enjoyable, if predictable, romantic holiday story. (Fiction. 13-16)

Pub Date: Oct. 1, 2019

ISBN: 978-1-368-02749-6

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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