by Tullio Kezich & Alessandra Levantesi & translated by James Marcus ‧ RELEASE DATE: March 1, 2004
A spirited, passionate account of a man who deserves his own film, starring Anthony Quinn.
The life of a great movie producer inevitably ends up being more about the movies than the man.
Born in a small Neapolitian village in 1919, son of a pasta maker, Agostino DeLaurentiis was later, and correctly, described as a sort of Italian Horatio Alger. Agostino (who would later christen himself “Dino” in an early display of showbiz smarts) went to Rome to study acting when still a teenager. There, he quickly threw himself into the world of film, producing his first one by the age of 22. A short, unwilling stint in the army—marked more by black comedy than heroism or tragedy—barely interrupted DeLaurentiis’s rise to prominence, which coincided with the postwar flowering of Italian cinema. His partnership with Fellini resulted in the classics La Strada and Nights of Cabiria while, at the same time, he was producing grand, popular epics like the Audrey Hepburn version of War and Peace. Working at a pace that seems close to compulsive, DeLaurentiis cut a swath through the jet-set film world, producing his eclectic mix of art and spectacle films, squiring his withdrawn actress wife Silvana Magano to festivals, building the massive Dinocittà film studio outside Rome and always dealing, dealing, dealing. He moved to New York in the 1970s and struck gold with hits like Serpico and Three Days of the Condor. Now in his early 80s, DeLaurentiis is producing the $150 million Baz Luhrmann saga Alexander the Great. Kezich and Levantesi, both Italian film critics, seem a bit cowed by their subject—there’s an occasional attempt to bring this larger-than-life, tall-tale–teller to the truth, but mostly they let their account explode with the man’s zest for life and movies. By the end, it’s hard not to be duly impressed as well by DeLaurentiis, who showed as much love for his ill-fated King Kong remake as he did for the little Bergman film The Serpent’s Egg. And who else would have fought to have David Lynch direct Dune?
A spirited, passionate account of a man who deserves his own film, starring Anthony Quinn.Pub Date: March 1, 2004
ISBN: 0-7868-6902-X
Page Count: 288
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2004
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by Tullio Kezich & translated by Minna Zallman Proctor & Viviana Mazza
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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