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FRECKLED

A MEMOIR OF GROWING UP WILD IN HAWAII

An affecting and riveting chronicle of a singular childhood that evokes the contradictions of hippie utopian ideals in an...

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In this memoir, a woman explores the gifts and costs of being raised by free-spirited parents on the fringes of paradise.

Red-haired, freckled Neal was born in La Jolla, California, but her first memories were of playing naked in the surf in the 1960s on the beaches of Hawaii, where her hippie parents moved to escape convention. Even as a child, she learned to read the signs of her father’s bad moods that could lead to frightening rages. As she grew up on the remote island of Kauai, her life was governed by his temper and the repercussions of her parents’ lifestyle. Surrounded by like-minded drifters and surfers, they lived off the land, sometimes going hungry except for the fruit and fish they foraged. Through poverty, the birth of two girls, and a miscarriage, Neal’s parents remained beguiled by the lush landscape, fleeing their problems in a cloud of alcohol and pakalolo, the Hawaiian name for marijuana. But life was complicated for a girl navigating a world she loved yet where she remained an outsider, “haole crap,” to many locals who viewed the influx of white hippies with mistrust. Yo-yoing between Hawaii and California throughout her youth, she was forced to rely on her inner resources to develop a sense of identity, family, and home. The author, who has written books under the name Toby Neal (Wired Courage, 2018, etc.), has crafted a deeply personal coming-of-age narrative that is also an engrossing history of a bygone era. She paints a pre-tourist portrait of rural Kauai and the hippie surfer community that thrived there, buoyed by its beliefs in Eastern religion and the transcendental power of drugs. She skillfully captures the evolving perspective of growing up, from the naïve immediacy of childhood to the angry acuity of adolescence to the gentler perceptions of maturity. The scenic and cultural setting of Kauai filters through the text in vividly descriptive passages as well as the frequent use of Hawaiian words. Missing is any voice of the locals, although the author tries to remedy this with a foreword by John Wehrheim that discusses Kauai’s past. But being a white outsider is a major part of Neal’s story, so perhaps it is unavoidable that her narrative remains unbalanced.

An affecting and riveting chronicle of a singular childhood that evokes the contradictions of hippie utopian ideals in an unspoiled Hawaiian landscape long since lost.

Pub Date: Jan. 11, 2019

ISBN: 978-1-73277-125-3

Page Count: 394

Publisher: Neal Enterprises

Review Posted Online: Dec. 18, 2018

Kirkus Reviews Issue: Feb. 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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