Florence’s purpose is clear: “Good food can save the day!” A worthy message, drawn perfectly by Frazier, whose illustrations...
Florence and Frazier are back (Tyler Makes Pancakes!, 2012), this time with dinner as young Tyler learns about spaghetti—how to cook it and where its ingredients come from—in this masterfully illustrated story.
When Chef Lorenzo asks Tyler for help making spaghetti and meatballs, the burgeoning cook can’t wait to begin. Together they take an imaginary adventure to pick tomatoes from the vine, unearth onions, visit olive groves and witness the pressing process. Even cheese-making, from cow to curds and curing, is seen. But the author conveniently evades any explanation of the origin of the meatballs, which are presented pre-made. Ingredients assembled, the industrious Tyler creates a delicious dinner for his family, with each step of the cooking process described. Sadly, the text is labored, despite the author’s best intentions of connecting readers to food, land, and the people that create and care for both. However, Frazier’s strong pictorial narrative carries the day. As always, he exhibits exemplary skill at creating deceivingly simple illustrations with his exceptional ability to edit. The characters, often appearing as stick figures, are incredibly expressive, and the silhouettes offer both depth and insights into the text.
Florence’s purpose is clear: “Good food can save the day!” A worthy message, drawn perfectly by Frazier, whose illustrations could work without the words. (recipe, additional information) (Picture book. 4-8)Pub Date: May 1, 2013
ISBN: 978-0-06-204756-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 19, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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