The origins of Passover, expressed in a unique fashion.
Passover magic.
A seder’s leader breaks a matzah in half and places it in an afikomen bag. (Afikomen is a matzah portion eaten at seder’s end and usually hidden for children to find for a prize.) The family dog grabs it and scurries under the table. Following the dog, three Jewish children magically find themselves, with dog and bag, along the banks of the Nile in ancient Egypt. Across the river, a woman, standing with her daughter, places a basket in the river; it floats away. Eventually, the children discover the basket contains an infant. With the children’s help, the baby drifts to the Pharaoh’s daughter, who rescues him. The baby’s sister and the children bid farewell; children and dog return home. Later, their parents are bewildered to see sand spilling from the bag! The author’s note describes the story of Passover, though the book itself is wordless. But children who know about Moses’ early life know he was the infant in the basket. They also know there couldn’t have been Passover without Moses. It makes sense that this comic-style book is wordless, since children must “recite” the elements of the evocative ink-and-watercolor panel illustrations as if they were reciting the Exodus story from the Haggadah itself. The artist does a fine job capturing particulars (whorls in the Nile suggesting flowing water; children playing with frogs). The protagonists are tan-skinned; seder guests are diverse. (This book was reviewed digitally.)
The origins of Passover, expressed in a unique fashion. (Picture book. 4-8)Pub Date: March 7, 2023
ISBN: 9781773066066
Page Count: 32
Publisher: Groundwood
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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