A touching, realistic, gently humorous story of how a sensitive boy copes with his treasured grandfather’s decline.
A boy helps his ailing grandfather go home one last time in this Swedish import.
Gottfried finds life enlivened by his feisty grandfather, who’s always been “difficult.” They are true kindred spirits. Confined now to the hospital with a broken leg and weak heart, Grandpa’s “worse than ever.” Gottfried’s dad avoids hospital visits because Grandpa’s naughty behavior and declining condition make him “tired and sad.” He rejects Gottfried’s plea to bring Grandpa to live with them, insisting he’s “too sick and angry and stubborn and crazy.” Pretending to be at football training, Gottfried visits Grandpa in the hospital and suggests they should run away. Lying to his parents about where he’s going overnight, Gottfried surreptitiously transports Grandpa to the island house where he lived with Grandma until she died. Back home for one night, Grandpa happily reverts to his old clothes, savors Grandma’s last jar of lingonberry jam, and says farewell to his old life before returning to the hospital. Gottfried’s accessible, unadorned, heartfelt first-person narration reveals the depth of his bond with his grandfather as well as his insightful understanding of his father’s limitations. Linear, colored-pencil drawings capture key interactions between characters and revel in Grandpa’s choler. Characters are white (or, in Grandpa’s case, grouchily pink).
A touching, realistic, gently humorous story of how a sensitive boy copes with his treasured grandfather’s decline. (Fiction. 8-11)Pub Date: April 2, 2019
ISBN: 978-1-776572-33-5
Page Count: 144
Publisher: Gecko Press
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
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