A must.
Text that sings like poetry narrates a gorgeous re-envisioning of “Thumbelina.”
Lina’s mother discovers her “in a silken flower / in a garden of wishes.” She blesses her new daughter, and she worries, “for many dangers wait upon a girl / no bigger than a thumb.” This piece shares Hans Christian Andersen’s plot but not its old themes of marriage and Thumbelina’s prettiness, powerlessness and self-sacrifice. Instead, with lyrical elegance, Krishnaswami gives Lina agency. When a frog traps her, Lina sings: “Wind-swish, bird-flutter, / fish-bubble and all, / come to me now, / come when I call.” Lina shows these fish “how to snip and where to chew, / and soon they cut the leaf free of its stem, / so it floated like a raft.” When weeds and bugs mire her leaf-raft, tenacious Lina “kicked and paddled with all her might, / until her lily pad pulled free.” Left-hand pages feature text on white background; right-hand pages have exquisite, full-bleed paintings in acrylic and tissue. Using sumptuous colors, luscious paint texture, patterns, smudges and delicate lines, Khosravi places characters in arresting, abstract compositions that recall Marc Chagall. “[B]irdsong and lonely fear” are part of Lina’s journey, alongside discovery and strength—and her mother, reappearing in “the map of [Lina’s] own life / spread out like a carpet” before Lina’s next departure.
A must. (author’s note, publisher’s note) (Picture book. 5-10)Pub Date: March 12, 2013
ISBN: 978-1-55498-324-7
Page Count: 32
Publisher: Groundwood
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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