adapted by Uma Krishnaswami & illustrated by Maniam Selven ‧ RELEASE DATE: Aug. 15, 1996
Krishnaswami's retellings of Hindu myths from India about the elephant-headed god, Ganesha, which include variants of tales heard in childhood or found in later research, make an elegant and eminently readable volume that's a vital addition to any multicultural shelf. Useful prefatory sections on the whole of Hindu mythology point out that the stories continue to be living cultural and spiritual entities in a way that tales from Greek or Norse mythologies are not, aiming to inculcate a way of life that includes ideas from the Hindu faith. The focus on Ganesha happily clarifies the swirling complexity of Hindu tradition while also enabling readers to empathize with this most likable and humorous god. The question that springs immediately to many readers' minds- -why an elephant's head?—is entertainingly addressed in the first tale, along with the notions of reincarnation and filial responsibility. The latter notion expands in the next story, a clever narrative dealing with the relationship of child to parent. The book also includes one tale, ``The Birth of Phagpa,'' from the Buddhist tradition of Mongolia. Throughout, black-and-white illustrations depict Ganesha's childlike charm, even when he's under duress or stress, or in the throes of heartbreak. This book opens perceptual doors to a great and still vital Eastern tradition—a gift indeed. (pronunciation guide, lists of characters and Ganesha's names, glossary, sources) (Fiction/folklore. 10+)
Pub Date: Aug. 15, 1996
ISBN: 0-208-02442-5
Page Count: 98
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
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by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck ; illustrated by Kelly Murphy
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by Andrew Clements ‧ RELEASE DATE: Sept. 1, 2002
Playing on his customary theme that children have more on the ball than adults give them credit for, Clements (Big Al and Shrimpy, p. 951, etc.) pairs a smart, unhappy, rich kid and a small-town teacher too quick to judge on appearances. Knowing that he’ll only be finishing up the term at the local public school near his new country home before hieing off to an exclusive academy, Mark makes no special effort to fit in, just sitting in class and staring moodily out the window. This rubs veteran science teacher Bill Maxwell the wrong way, big time, so that even after Mark realizes that he’s being a snot and tries to make amends, all he gets from Mr. Maxwell is the cold shoulder. Matters come to a head during a long-anticipated class camping trip; after Maxwell catches Mark with a forbidden knife (a camp mate’s, as it turns out) and lowers the boom, Mark storms off into the woods. Unaware that Mark is a well-prepared, enthusiastic (if inexperienced) hiker, Maxwell follows carelessly, sure that the “slacker” will be waiting for rescue around the next bend—and breaks his ankle running down a slope. Reconciliation ensues once he hobbles painfully into Mark’s neatly organized camp, and the two make their way back together. This might have some appeal to fans of Gary Paulsen’s or Will Hobbs’s more catastrophic survival tales, but because Clements pauses to explain—at length—everyone’s history, motives, feelings, and mindset, it reads more like a scenario (albeit an empowering one, at least for children) than a story. Worthy—but just as Maxwell underestimates his new student, so too does Clement underestimate his readers’ ability to figure out for themselves what’s going on in each character’s life and head. (Fiction. 10-12)
Pub Date: Sept. 1, 2002
ISBN: 0-689-82596-X
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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