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CHRONICLES OF A LIQUID SOCIETY

Although some of these pieces have a tired feel, there’s much here to enjoy and ponder.

A swan song from one of Europe’s great intellectuals.

After publishing numerous novels, criticism, essays, and so much more, Eco (Numero Zero, 2015, etc.) died in 2016 at the age of 84. Like a few others before him, including Edmund Wilson and Lionel Trilling, among others, Eco proved that one could write for many audiences. Following up on two similar collections, this book contains more than 100 short opinion pieces originally published in L’Espresso magazine from 2000 to 2015. He calls them “reflections on aspects of this ‘liquid society’ of ours,” and they encompass the current crises facing countries across the world, a collapse of ideologies, and the rise of unbridled individualism. They are divided into 13 titled sections, including “From Stupidity to Folly.” Eco was no curmudgeon, but he didn’t suffer fools gladly—e.g., the “excess of stupidity is clogging the [internet] lines.” The author regularly discusses his dislike of cellphones; people “no longer talk face-to-face…no longer reflect on life and death, and instead talk obsessively, invariably with nothing to say.” There’s a distinct Italian lean to these pieces, so some travel better than others, but it’s not so much the information they convey as much as the intellect and thought processes of the conveyor. As Eco admits in one of the last pieces, “don’t take the things you have just read as pure gold.” In one piece, he discusses the Italian government selling off their Maserati cars; in another, the letters of Ian Fleming, who “was a master of style,” and James Joyce. We learn that Eco is a big fan of the “amiable universe” of Rex Stout’s Nero Wolfe and that Art Spiegelman is a “genius,” Maus “one of the most important pieces of literature on the Holocaust.” Even when he’s apologizing for not writing prefaces for people’s books, Eco entertains with his intellect, humor, and insatiable curiosity.

Although some of these pieces have a tired feel, there’s much here to enjoy and ponder.

Pub Date: Nov. 14, 2017

ISBN: 978-0-544-97448-7

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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