What does it all add up to? An indictment of the old Europe, for one thing, and a perplexing, multilayered,...
Eco (The Mysterious Flame of Queen Loana, 2005, etc.) doffs his scholarly gown and dons his trench coat for another bracing—and controversial—mystery.
Semiotician, medievalist and linguist, Eco delights in secret codes, cabals and conspiracy theories. He’s got a humdinger in this new high-level whodunit, which features a fictional fellow—Simone Simonini by name—who wanders, darkly, throughout a late-19th-century Europe packed with very real people. Simonini, 67 years old when we meet him in 1897, is detestable. He’s a study in suburban prejudices, among them a virulent strain of anti-Semitism, though, to be fair, he’s got something bad to say about just about everyone: The Jew, he grumbles, is “as vain as a Spaniard, ignorant as a Croat, greedy as a Levantine, ungrateful as a Maltese, insolent as a Gypsy, dirty as an Englishman, unctuous as a Kalmyk, imperious as a Prussian and as slanderous as anyone from Asti.” Did he leave out the Germans? No, they smell bad owing to a surfeit of beer and pork sausage. No one evades Simonini’s withering glare, but it’s the Jews he’s really after, working farragos and guiles to stir up hatred against him through manufactured events up to and including the Protocols of the Elders of Zion, that tract that gave the Nazis so much fuel for their fires. In an oddball but bravado performance, Eco makes Simonini—who doesn’t like Freemasons or Jesuits either—many things: a forger, a master of disguise, a secret agent and double agent, a shadowy presence who’s up to more than we’ll ever know, and on top of all that quite a good cook—there are recipes for fine dishes tucked inside these pages, and recipes for bombs, too. Simonini also keeps good and interesting company, hanging out with Sigmund Freud here, crossing paths with Dumas and Garibaldi and Captain Dreyfus there, and otherwise enjoying the freedom of the continent, as if unstoppable and inevitable.
What does it all add up to? An indictment of the old Europe, for one thing, and a perplexing, multilayered, attention-holding mystery. Expect it to find many readers.Pub Date: Nov. 8, 2011
ISBN: 978-0-547-57753-1
Page Count: 464
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
BOOK REVIEW
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BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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BOOK REVIEW
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