by Ursula Hegi & illustrated by Giselle Potter ‧ RELEASE DATE: March 1, 2003
Excerpts taken nearly verbatim from Hegi’s adult novel, Stones from the River (1994), form a surprisingly cohesive story for children about Trudi, a dwarf girl, who comes to accept herself after meeting a dwarf woman, Pia, at the circus. Pia’s not in the circus because she’s a dwarf; rather, she’s an animal tamer. Upon meeting the glamorous, self-confident Pia, Trudi realizes she has it within her power to define normal; she vows to get furniture that will fit her proportions once she sits in the short-legged chairs in Pia’s trailer. Pia encourages her to speak softly and not always look up, so others will have to bend down to hear her; Pia also tells Trudi that she must find a way to find her place in her own town, rather than run away with Pia and the circus. Potter’s (The Year I Didn’t Go to School, 2002, etc.) colorful gouache illustrations span the realms of reality and the imagination; it’s heartbreaking to see Trudi in real life trying to stretch her limbs by hanging from doorframes or limit the growth of her head by tying scarves around it. But it’s comforting to see what Trudi can now picture: the fantasy island of dwarves where there are no “tall” people, as well as the hundreds of dwarves Pia says she has met worldwide. Hegi has done a remarkable job in cleanly distilling this child-friendly nugget from her wonderfully complex adult examination of a small German town in the years leading up to and during WWII; many of its themes are fascinating, but this one is particularly appropriate for adaptation into a picture book, especially one with illustrations as touching as these. (Picture book. 5-9)
Pub Date: March 1, 2003
ISBN: 0-689-84683-5
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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