Thoughtful musings from a deft and sharply insightful writer.
Spirited, wry reflections on aging, literature, and America’s moral life.
Inspired by blogs that José Saramago wrote when he was in his 80s, the prolific, multiple award-winning Le Guin (Words Are My Matter: Writing About Life and Books, 2000-2015, with a Journal of a Writer’s Week, 2016, etc.) became a blogger herself. In an entertaining collection of more than 40 posts written from 2010 to 2015, she offers opinions on a wide range of topics: politics, age and youth, confounding questions from readers, creativity, public and private expressions of anger, a splendid opera by Philip Glass, the serene ritual of breakfast in Vienna, and, most charmingly, her cat. The collection begins with the author’s mystification over a questionnaire from Harvard, on the occasion of the 60th reunion of the graduating class of 1951. One question “really got me down,” she confesses: “In your spare time, what do you do?” There followed a list of 27 occupations, beginning with “Golf.” If spare time is the opposite of occupied time, Le Guin maintains that all of her time is “occupied by living.” And at the age of 81, when the piece was posted, she observed, “I have no time to spare.” She is at her most acerbic when writing about politics: in 2012 she learned that in 1947, President Truman asked the nation to give up meat on Tuesdays and poultry on Thursdays so that grain could be sent to starving Europeans. Such a request would be laughable today, she reflects sadly: “When did it become impossible for our government to ask its citizens to refrain from short-term gratification in order to serve a greater good?” Even in 2012 she felt in exile: “I used to live in a country that had a future.” Le Guin is at her most tender in posts about her cat, “a vivid little creature…utterly sweet and utterly nutty.”
Thoughtful musings from a deft and sharply insightful writer.Pub Date: Dec. 5, 2017
ISBN: 978-1-328-66159-3
Page Count: 240
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Aug. 28, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
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