If you want evidence that people are thinking and writing about science fiction these days with sophistication and good sense, you need go no further than this volume. But if you want evidence that these qualities have not necessarily percolated through the science-fiction readership, you also need look no further than to see how it's edited. Assembled and very solemnly introduced by Susan Wood of the University of British Columbia, the material itself ranges from the sublime to the superfluous. The 24 selections, arranged in five not-very-convincing categories, include award-acceptance speeches, book reviews, introductions to reprints, and both substantial and slender contributions to science-fiction journals and symposiums. At their best they are eloquent examples of an unashamed humanism rarely encountered today. Fantasy and science fiction, Le Guin has long been telling us, are really about ourselves. Fantasy at its best reminds us all "that an adult is not a dead child, but a child who survived." Science fiction with all its incongruities is "a broken mirror" each of whose fragments "is capable of reflecting, for a moment, the left eye and nose of the reader, and also the farthest stars shining in the depths of the remotest galaxy." But the nearest Susan Wood can come in six introductions, is the observation that the writer's duty pace Le Guin is to express "a clear moral vision in the most artistically satisfying way possible." Wood's choices are often exasperating too; she gives us much more of Le Guin the priggish deplorer of commercialism and masscult than of Le Guin the daring and unsentimental romantic. The author is also rather ill-served by the repetitiveness of the selection (the imaginary "Belch the Barbarian" of one paper turns up as "Barf the Barbarian" in another). Just how much better Wood might have done can be surmised from Jeff Levin's invaluable Le Guin bibliography, reprinted here as an appendix.
Pub Date: April 24, 1979
ISBN: 0060924128
Page Count: 250
Publisher: Putnam
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: April 1, 1979
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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