Adventure tales aren’t often as quiet as this item, which takes a low-key approach. Thirsting to see what lies over the horizon, little Tom Mouse, of the house mouse variety, hops a train headed for points west. He manages to secret himself in a sleeper, which he has all to himself for the first night, bedazzled by the countryside rolling along beside him and by the stars that appear to be traveling with him. But the next day, a human enters the sleeping cabin—an inconvenience, since Tom is relegated to hiding in the closet, but on the other hand she does leave a paper bag full of goodies for him to snack upon. Tom dares leave the sanctuary of the closet only when the woman goes to dinner and late at night, when he thinks she is asleep. Then, once more, he heads to the window to marvel at the passing world, even to break out in a jig at the sheer glory of it all. Turns out the woman was not so ignorant of Tom’s existence—and the next day she confronts him. His fears are soon allayed when she reveals herself to be a friend of wild creatures—it is suggested that she is perhaps a wildlife biologist—and she invites him to join her on her travels: to Chicago, San Francisco, and Tokyo. This celebration of the open road and the kindness of strangers comes as particularly salubrious at a time when the prevailing mood is to batten down the hatches. And the soft colors and somewhat misty look of the art are in keeping with the mood: daring yet protected. (Picture book. 4-8)
Pub Date: March 1, 2001
ISBN: 0-7613-1599-3
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2002
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Turkey’s in the “kind of trouble where it’s almost Thanksgiving...and you’re the main course.” Accordingly, Turkey tries on disguise after disguise, from horse to cow to pig to sheep, at each iteration being told that he looks nothing like the animal he’s trying to mimic (which is quite true, as Harper’s quirky watercolors make crystal clear). He desperately squeezes a red rubber glove onto his head to pass as a rooster, only to overhear the farmer suggest a poultry plan B when he’s unable to turn up the turkey. Turkey’s horrified expression as he stands among the peppers and tomatoes—in November? Chalk it up to artistic license—is priceless, but his surroundings give him an idea. Good fun, but it may lead to a vegetarian table or two. (Picture book. 4-8)
Pub Date: Oct. 1, 2009
ISBN: 978-0-7614-5529-5
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
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