by Uwe Timm & translated by Breon Mitchell ‧ RELEASE DATE: Feb. 26, 2003
An intermittently slow read, but an important early work in the career of one of the best living German writers.
The German colonial experience in Africa is the subject of this dense, often fascinating 1983 novel by the German author (Midsummer Night, 1998, etc.).
Relations between German colonists and both Herero and Hottentot tribes grow dangerously strained in the former South West Africa (now Namibia) in the early 20th century—and a 34-year-old “Veterinary Lieutenant (i.e., “horse doctor’) identified as Gottschalk arrives, with vague hopes of becoming both a helpful and a civilizing influence (“. . . at some point there will be eyes in this wilderness reading Goethe, ears listening to Mozart”). Excerpts from Gottschalk’s diary express his opposition to genocidal policies carried out in attempts to seize African lands, and are juxtaposed against the tale’s semidocumentary materials. These latter include (rather dry) “Battle Reports” describing campaigns led by uncompromising Teutonic commanders General von Trotha and “daredevil” Colonel Deimling, and (much more interesting) “Regional Studies,” which retell stories of earlier “conquests” (e.g., the misadventures of the hopeful, hapless English missionary Goth, and the failed entrepreneurial efforts of “energetic” surveyor Treptow). Portrayals of native African heroes (like the eponymous Herero leader and his Hottentot counterpart Witbooi) are elliptical and fragmentary, but succeed nevertheless as components of a syndrome of ironic contrasts between the African peoples and their putative superiors. That contrast is succinctly stated in a scientific report alleging that Hottentot society cannot be civilized, because within it “competition is negated by the principle of mutual aid . . . [as lived by] a human type that devotes all its intelligence . . . to the single goal of living comfortably.” The thickness of detail and mastered research are thus efficiently harnessed to Timm’s theme: the devastating consequences of collisions between what are conventionally called civilization and primitivism.
An intermittently slow read, but an important early work in the career of one of the best living German writers.Pub Date: Feb. 26, 2003
ISBN: 0-8112-1514-8
Page Count: 384
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
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by Uwe Timm & translated by Anthea Bell
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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