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THE INVENTION OF CURRIED SAUSAGE

In Timm's hands (Headhunter, 1993, etc.), how curried sausage became a popular street food makes for a perfectly charming novel that looks back at the end of WW II. It's a tall—and a humble—tale, involving love, war, resourcefulness, trickery, and an accident on the stairs, all made believable by the skillful Timm and his unnamed narrator, who makes his way to a retirement home to call on one Lena BrÅcker, whom he fondly remembers from his Hamburg childhood as having operated a food-stand selling curried sausages. Was this same Lena BrÅcker really the first inventer of the dish? Over seven days and seven visits from our narrator, the now-aged Mrs. BrÅcker (like Homer, she's become a blind creator, even knitting a sweater as she spins her yarn) tells her wonderful story, not the least of it having to do with her 27-day romance (starting April 29th, 1945) with a 24- year-old naval NCO named Bremer, whom she meets at the movies one rainy evening. After spending the night together in her apartment (her husband is a two-timer and cad, and, besides, he's gone), Mrs. BrÅcker (she's 40) suggests, putting it very simply, that the young man—well, could stay for a while. Desperate for manpower at war's end, the Germans have transferred Bremer to anti-tank duty and certain death, both of which he avoids by staying with the warm, generous, resourceful Mrs. BrÅcker. And as for the rest? Suffice it to say that, among other things, Mrs. BrÅcker is a good cook (a canteen manager, she's wizardly at rounding up scarce food); that her lust for life and unerring sense of right and wrong put her somewhere between the Wife of Bath and Anna Magnani; and that things work out as they sometimes do—in ways, this time, that you might feel like weeping for. A small, perfect feast: full of life, heart, spirit, and laughter, all seasoned delicately with sorrow and hope.

Pub Date: May 29, 1995

ISBN: 0-8112-1297-1

Page Count: 224

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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