An incredible debut, as entertaining as it is outlandish, with at least one thing (and most likely many more) for everyone.
Bach weaves a stunning debut out of disparate parts, melding settings and genres in this experimental literary novel.
This novel refuses simple description. It follows its lead, Krishawn, who’s contending with a series of progressively worsening brain tumors. But what emerges from his struggle is more than merely a meditation on the meaning of life. It’s a journey from hedonism to psychedelics to sci-fi, trafficking not in fablelike metaphor but in nuanced, even esoteric, dialogue. The novel presents a morass of stories, covering sex, death, and the rest of human experience through its cast and multifarious settings, all of which inform each other, from a mystical mountain-climbing expedition to an ambulatory phallus and beyond, shifting in both content and tone throughout. It’s fitting that Krishawn’s most concerning cancerous growths are pressing on Broca’s and Wernicke’s areas, brain structures responsible for speech and language development, respectively, as many stories seem sparked by accidents of language: “Krishawn had always thought it funny how ontology and oncology were separated only by a ‘c.’ ” But again, reading this novel is not only a matter of interpreting the disparate vignettes of the story as the degradations of a dying mind, drug-born hallucinations, or religious experiences pointing to larger universal truths. Rather, they are all of these things and none of them, calling on the reader to find the connections among the elements of this pastiche and make of them both a whole and a sum of parts. Readers will find the novel challenging, but it’s never boring; it discards the willful obfuscation of many experimental novels in favor of a feverish pace and a wildly emotional ride. Individual sections are readable on their own, and while the vocabulary may sometimes be obtuse, the structure and context keep meaning within reach, and readers ultimately feel more like they’re being taught this unfamiliar vernacular than taunted with it.
An incredible debut, as entertaining as it is outlandish, with at least one thing (and most likely many more) for everyone.Pub Date: Oct. 27, 2016
ISBN: 978-0-9976812-0-8
Page Count: 566
Publisher: Tetracules Press
Review Posted Online: Dec. 20, 2018
Kirkus Reviews Issue: Feb. 1, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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