A brutal murder becomes the catalyst for an Indigenous redemption that brings believers together to revive a nearly forgotten religion.
Belinda and Hector know the story of La Reina de Las Chicharras all too well. Belinda first heard it during a childhood sleepover: Milagros Santos, an undocumented Mexican farmworker who was lynched by a group of White women in Texas in 1952, now answers to anyone who speaks her new name into a mirror, Bloody Mary–style. Hector bought the property on which the officially unsolved murder took place, and he now feels compelled to return to his curandero heritage after a lifetime spent scorning it. As Belinda and Hector dig deeper into the story, clues point toward a much more intricate tale, one in which Indigenous Mexican religious beliefs survived into the 20th century. Milagros and her twin sister, Concepcion, worshiped Santa Muerte—also known as Mictecacíhuatl, the Queen of the Dead. The ancient deity now answers to the dead woman's new name, harvesting mortal sacrifices to help revive Milagros as her daughter. When Mictecacíhuatl reveals herself in a viral video, the foundations of individual and institutional faith are tested worldwide, and an unexpected religious revival emerges. The White women responsible for Milagros' death become the first targets of Mictecacíhuatl's revenge, sandwiched chronologically between conquistadors and the Immigration and Customs Enforcement agents who prey upon her people. Castro's novel shifts seamlessly from deliciously gory horror narrative to family saga to a tale of righteous vengeance, all while maintaining its unflinching condemnation of colonialism on both sides of the Mexican-American border.
A tightly paced story of anti-colonial resistance and shared history that begs to be read in one sitting.