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RAKESFALL

Poetic and unique, but possibly not worth the effort to plumb its depths.

Transcendence doesn’t come easy in this short but labyrinthine tale of reincarnation.

What actually happens in these pages is difficult to describe or quantify. It’s a hallucinatory, often nonlinear work, constantly and confusingly shifting perspective. It concerns a small group of people, or gods, bound by love and violence across many lives, each time grasping for some kind of satisfaction or resolution as the Earth withers. Various sections are set in a magic-infused, seemingly contemporary Sri Lanka, in which the dead exist, work, and make trouble alongside the living, and demons are always lurking nearby. Other sections are post- or even post-post-apocalyptic, blending science fiction with fantasy as a small group struggles to help a barren Earth to heal, even as others escape to the stars. The author is clearly content to let readers sink or swim in the flotsam-strewn river of story, as interesting scraps of plot begin but then peter out, flowing, not entirely seamlessly, into other pseudo-plots. What seem to be local legends, mythology, and history of the area are referenced but not fully explained. Apparently there’s also some kind of age-old conflict between the kingdoms of the Rake and the Yoke, whatever those are? Meanwhile, there are clearly some points being made about the dark legacy of colonialism, the dangers of codependent relationships, and the way the living often can’t shake free of the legacy of the dead. But if there’s a throughline here, you’re going to have to work to find and fully understand it.

Poetic and unique, but possibly not worth the effort to plumb its depths.

Pub Date: June 18, 2024

ISBN: 9781250847683

Page Count: 304

Publisher: Tordotcom

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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