McDermid keeps all three of these pots simmering, raising the heat in agonizingly tiny increments, until she’s ready for a...
Back on the job as head of the newly formed regional Major Incident Team, DCI Carol Jordan (Splinter the Silence, 2015, etc.) is tested to the max by the Wedding Killer.
The motive for inoffensive office manager Kathryn McCormick’s murder couldn’t be more prosaic. The killer, who posed as a wedding guest to engage her in conversation before he dated her, drugged her, strangled her, left her car on an isolated road, and set it afire with her inside, was just using her as a placeholder for the amatory and business partner who’d left him after meeting a more suitable mate at a wedding she’d attended alone. The lack of an obvious connection between the murderer and his victim, coupled with his skill in avoiding any forensic evidence, makes it impossible for DCI Carol Jordan, clinical psychologist Tony Hill, and the rest of the ReMIT to come up with any suspects. It also makes it easy for the killer to keep on crashing weddings, cultivating pitiably vulnerable new acquaintances, and taking secondhand revenge on them. Things get even worse for Carol, already tormented by guilt over the unexpectedly far-reaching legal corner-cutting that made it possible for her return to work after she failed a Breathalyzer test, when crime correspondent Penny Burgess makes it her mission to get the evidence that will end Carol’s career. Nor are things going much better for DS Paula McIntyre, whom Carol urges to sign up for the inspector’s exam so she can take over when Carol steps down, as she may have to do any minute: Torin McAndrew, whom she and her partner, Dr. Elinor Blessing, took in as their ward after his mother was murdered, is suddenly acting a lot more skittish and secretive than other teenagers, and there’s a depressingly good reason why.
McDermid keeps all three of these pots simmering, raising the heat in agonizingly tiny increments, until she’s ready for a finale guaranteed to leave you reeling.Pub Date: Dec. 5, 2017
ISBN: 978-0-8021-2716-7
Page Count: 432
Publisher: Atlantic Monthly
Review Posted Online: Aug. 30, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
