A powerful, unique look at the benign origins of catastrophe.
Writer McDermid and illustrator Briggs show a plague tearing through all aspects of modern life—personal, professional, political—leaving plenty of apocalyptic blame to go around.
For decades the world has been stewing in a volatile mix of antibiotic overuse, industrialized farming, profit-driven pharmaceuticals, and public ignorance. The danger finally boils over at a music festival in the Scottish countryside, when several musicians and concertgoers come down with a bad case of what at first is dismissed as food poisoning but eventually reveals itself to be much, much worse. Like any good disaster narrative, the story follows several key figures making their ways through the carnage: intrepid reporter Zoe Beck, who had abandoned “real” news in favor of more popular cultural pieces like her coverage of the doomed music festival; Sam the Sausage Sandwich Man, the proprietor of the food truck that appears to have been the source of this outbreak, as he defends his reputation; infectious disease expert Dr. Aasmah Siddiqui, who works with a loose affiliation of global medical professionals who have thrown off the strictures of corporate funding and individual ambition in a desperate attempt to understand the new disease; as well as government officials who are mainly enraging with their prioritization of systems over people. McDermid skillfully builds pathos for the individuals wrestling with their dire circumstances while also baking in enough science to make the proceedings feel frighteningly plausible. Briggs composes fascinating pages and panels that have a mixed-media feel, layering her realistic figures over maps and medical diagrams, invoices and intake forms, tarot cards and plague paintings. The effect puts the story on a historical continuum, which is comforting in the sense that humanity has faced similar disasters in the past but also chilling with its reminder that history is full of cataclysms and the current age is hardly exempt.
A powerful, unique look at the benign origins of catastrophe.Pub Date: June 15, 2021
ISBN: 978-0-8021-5872-7
Page Count: 160
Publisher: Atlantic Monthly
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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