A unique portrait of post–9/11 Sikhs hampered by its rebranding of old ideas as “revolutionary.”
A Los Angeles–based Sikh American activist, lawyer, and filmmaker tries to reinvent the wheel of love in her coming-of-age memoir.
As the child of Sikh farmers in Clovis, California, Kaur grew up with the Punjabi phrase “chardi kala,” often translated as “relentless optimism,” a state prized by her faith. She has perhaps taken those words too much to heart in her first book, an overambitious blend of memoir, self-help, and left-leaning polemic. As a Stanford undergraduate, Kaur learned that a Sikh family friend had become “the first person killed in a hate crime after 9/11,” and the tragedy led her to travel across the country to interview other victims, whose stories she told in the documentary Divided We Fall. At Yale Law School, Kaur served as a legal observer at a prisoner’s hearing at Guantánamo, where the U.S. naval base just over the hill from the detention center was “a fantastical cross between small-town America and a Caribbean seaside resort,” with fast food restaurants, tennis courts, and a bowling alley. Unwisely, the author folds vivid sections on those and other trips into a meandering, New Age–y brief on the “revolutionary” effort “to reclaim love as a force for justice in our time” and “to love even our opponents.” Toward that end, Kaur suggests “meditating, expressing gratitude, retreating, bodywork, and being in nature” as well as other overfamiliar warhorses of the self-help genre. Throughout the book, her call for acts like “forgiveness” clashes with her view that rage is “a rightful response to the social traumas of patriarchy, white supremacy, misogyny, homophobia, transphobia, and poverty.” Depending on the situation, that view is debatable, and while the author offers plenty of good material on the plight of Sikh Americans after 9/11, those elements account for less than half the book; the rest is the author's heavily ideological "manifesto."
A unique portrait of post–9/11 Sikhs hampered by its rebranding of old ideas as “revolutionary.”Pub Date: June 16, 2020
ISBN: 978-0-525-50909-7
Page Count: 384
Publisher: One World/Random House
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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